brownsugarbydangelo:

When Drake said, “workin workin workin workin, ain’t ya? You don’t have time to lay up. You just trynna be somebody, before you say you need somebody.” He was talking directly to me.

vampires-and-witches:

I saw everyone on twitter tearing Emma Watson apart for saying she’s self - partnered instead of single and decided to watch her interview for British Vogue to know what the hell was she trying to say with that. I was very surprised to find a 30 minute video in which amongst other things she talks about the following:

  • She felt undeserving when she was appointed as UN Women goodwill ambassador and sought out Gloria Steinem to learn about feminist activism.
  • She thinks the criticism she received for being a white feminist was useful because it made her educate herself.
  • She says there’s a desperate need to reform the education system in the UK to change the way they are taught the history of how Britain has been involved in foreign affairs and how they profited from slavery.
  • She felt anxious about approaching 30 because there’s a lot of pressure to have a husband and a baby by then and she’s still figuring her life out.
  • She was so young when she was casted in Harry Potter that she doesn’t remember much of her life before it and she went to therapy to deal with her issues with fame. She used to feel very guilty for being unhappy because she thought she should enjoy fame more.
  • The interviewer is a transgender woman and they discuss transgender issues for a while. Emma is in regular contact with a trans child which makes the topic of trans rights emotional for her because she’s very anxious for this kid’s safety.
  • She talks about her role as Meg March in the new Little Women movie and defends that unlike what many people say choosing to be a wife and a mother doesn’t make Meg a less feminist character and quotes a line from the movie, “Just because my dreams are different than yours it doesn’t mean they are unimportant.”  
  • She wishes more people would realize she’s not Hermione Granger but also understands why they want to see that in her because Hermione is a symbol for her too.
  • She used to think she could never be happy without a partner and now that she has learnt to navigate that better and is genuinely happy single she’s started to think of herself as self - partnered in contrast to the time when she thought of herself as single = lonely.

Every media outlet decided to focus in an out of context quote from the three minutes she talked about her dating life when the actual interview had a lot of depth and way more important things were discussed. I’m sad and angry but not surprised.

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chalamets:

21st century horror + “unhinged” female leads

“Perhaps what we’re witnessing in horror right now is not a commentary on a single anxiety, but a culmination of all the anxieties that exist in culture—the shit that’s built up, affecting generation after generation, especially women … who’ve internalized the brunt of trauma for so long and are only now able to channel it. The rage that stems from internalising trauma (while coddling men) … is perfectly visualised by Toni Collette literally crawling up the walls in Hereditary.” — Ryan Bradford

This is what horror tells us—that in the collective unconscious of all women are psychic wounds so deep and raw that even to brush against them is to become a conduit for their primal violence… We self-censor our every reaction, debating endlessly with ourselves over which thoughts are permitted and which are forbidden or unclean… Perhaps that’s why, after so long spent boiling within us under such terrible and unrelenting pressure, women’s desires hold such power to fascinate and terrify.” — Gretchen Felker-Martin

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chalamets:

21st century horror + “unhinged” female leads

“Perhaps what we’re witnessing in horror right now is not a commentary on a single anxiety, but a culmination of all the anxieties that exist in culture—the shit that’s built up, affecting generation after generation, especially women … who’ve internalized the brunt of trauma for so long and are only now able to channel it. The rage that stems from internalising trauma (while coddling men) … is perfectly visualised by Toni Collette literally crawling up the walls in Hereditary.” — Ryan Bradford

This is what horror tells us—that in the collective unconscious of all women are psychic wounds so deep and raw that even to brush against them is to become a conduit for their primal violence… We self-censor our every reaction, debating endlessly with ourselves over which thoughts are permitted and which are forbidden or unclean… Perhaps that’s why, after so long spent boiling within us under such terrible and unrelenting pressure, women’s desires hold such power to fascinate and terrify.” — Gretchen Felker-Martin

12h51mn:

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favorite films featuring a scene with a mosquito net

  • The Terrorizers (1986), dir. Edward Yang
  • Cemetery of Splendour, dir. Apichatpong Weerasethakul (2015)
  • Uncle Boonmee Who Can Recall His Past Lives, dir. Apichatpong Weerasethakul (2010)
  • A Summer at Grandpa’s (1984), dir. Hou Hsiao-Hsien
  • The Scent of Green Papaya (1993), dir. Tran Anh Hung
  • Insiang (1976), dir. Lino Brocka
  • A Brighter Summer Day (1991), dir. Edward Yang 
  • I don’t want to sleep alone (2006), dir. Tsai Ming-Liang